Raksha Bandhan is an ancient festival of the Indian subcontinent, and its history dates back thousands of years. In South Asia, a popular annual festival during which a girl or woman gives a cotton bracelet (rakhi) to a brother or someone she considers as one, who in turn treats her as a sister. It is observed on the last day of the Hindu lunar calendar month of Shraavana, which typically falls in August.
On this day, sisters of all ages tie a cotton bracelet or amulet, called the rakhi, around the wrists of their brothers, ritually affirming the bond and support of her brothers, receiving a gift from them in return, and traditionally investing the brothers with a share of the responsibility of their potential care.
The expression "Raksha Bandhan," Sanskrit, literally, "the bond of protection, obligation, or care," is now principally applied to this ritual. It has also applied to a similar ritual in which a domestic priest ties string bracelets on the wrists of his patrons and receives gifts of money. A ritual associated with Saluno includes the sisters placing shoots of barley behind the ears of their brothers.
Of special significance to married women, Raksha Bandhan is rooted in the practice of territorial exogamy, in which a bride marries out of her natal village or town, and her parents, by custom, do not visit her in her married home. In rural north India, where territorial exogamy is strongly prevalent, large numbers of married Hindu women travel back to their parents' homes every year for the ceremony. Their brothers, who typically live with the parents or nearby, sometimes travel to their sisters' married home to escort them back. Many younger married women arrive a few weeks earlier at their natal homes and stay until the ceremony. The brothers serve as lifelong intermediaries between their sisters' married- and parental homes, as well as potential stewards of their security.
Of special significance to married women, Raksha Bandhan is rooted in the practice of territorial exogamy, in which a bride marries out of her natal village or town, and her parents, by custom, do not visit her in her married home. In rural north India, where territorial exogamy is strongly prevalent, large numbers of married Hindu women travel back to their parents' homes every year for the ceremony. Their brothers, who typically live with the parents or nearby, sometimes travel to their sisters' married home to escort them back. Many younger married women arrive a few weeks earlier at their natal homes and stay until the ceremony. The brothers serve as lifelong intermediaries between their sisters' married- and parental homes, as well as potential stewards of their security.
Among women and men who are not blood relatives, there is also a transformed tradition of voluntary kin relations, achieved through the tying of rakhi amulets, which have cut across caste and class lines, and Hindu and Muslim divisions. In some communities or contexts, other figures, such as a matriarch, or a person in authority, can be included in the ceremony in ritual acknowledgement of their benefaction.
Raksha Bandhan is also celebrated by Hindu communities in other parts of the world. Although rooted in Hindu culture, the festival has no traditional prayers unambiguously associated with it. The religious myths claimed for it are disputed, and the historical stories associated with it considered apocryphal by some historians.
More recently, after enactment of more gender-neutral inheritance laws in India, it has been suggested that in some communities the festival has seen a resurgence of celebration, which is serving to indirectly pressure women to abstain from fully claiming their inheritance.
The literary works of Hinduism is peppered with stories of rakhi and Raksha Bandhan. Some of these include Indra Dev, the king of heaven.
According to Bhavishya Purana, in the war between Gods and demons, Indra – the deity of sky, rains and thunderbolts – was disgraced by the powerful demon King Bali. Indra’s wife Sachi consulted Vishnu, who gave her a bracelet made of cotton thread, calling it holy. Sachi tied the holy thread around Indra wrist, blessed with her prayers for his well being and success. Indra successfully defeated the Bali and recovered Amaravati. This story inspired the protective power of holy thread. The story also suggests that the Raksha Bandhan thread in ancient India were amulets, used by women as prayers and to guard men going to war, and that these threads were not limited to sister-brother like relationships.
According to Bhagavata Purana and Vishnu Purana, after Vishnu won the three worlds from the demon King Bali, Bali asked Vishnu to stay with him in his palace, a request Vishnu granted. Vishnu's wife, Goddess Lakshmi did not like the palace or his new found friendship with Bali, and preferred that her husband and she return to Vaikuntha. So she went to Bali, tied a rakhi and made him a brother to her. Bali asked her what gift she desired. Lakshmi asked that Vishnu be freed from the request that he live in Bali's palace. Bali consented, as well accepted her as his sister.
According to Bhavishya Purana, in the war between Gods and demons, Indra – the deity of sky, rains and thunderbolts – was disgraced by the powerful demon King Bali. Indra’s wife Sachi consulted Vishnu, who gave her a bracelet made of cotton thread, calling it holy. Sachi tied the holy thread around Indra wrist, blessed with her prayers for his well being and success. Indra successfully defeated the Bali and recovered Amaravati. This story inspired the protective power of holy thread. The story also suggests that the Raksha Bandhan thread in ancient India were amulets, used by women as prayers and to guard men going to war, and that these threads were not limited to sister-brother like relationships.
According to Bhagavata Purana and Vishnu Purana, after Vishnu won the three worlds from the demon King Bali, Bali asked Vishnu to stay with him in his palace, a request Vishnu granted. Vishnu's wife, Goddess Lakshmi did not like the palace or his new found friendship with Bali, and preferred that her husband and she return to Vaikuntha. So she went to Bali, tied a rakhi and made him a brother to her. Bali asked her what gift she desired. Lakshmi asked that Vishnu be freed from the request that he live in Bali's palace. Bali consented, as well accepted her as his sister.
Another story people use to beleive is belongs to Santoshi Maa. Lord Ganesha had two sons, Shubha and Labha. The two boys become frustrated that they have no sister to celebrate Raksha Bandhan with. They ask their father Ganesha for a sister, but to no avail. Finally, saint Narada appears who persuades Ganesha that a daughter will enrich him as well as his sons. Ganesha agreed, and created a daughter named Santoshi Maa by divine flames that emerged from Ganesh's wives, Riddhi (Amazing) and Siddhi (Perfection). Thereafter, Shubha Labha (literally "Holy Profit") had a sister named Santoshi Maa (literally "Goddess of Satisfaction"), to tie Rakhi over Raksha Bandhan.
Krishna and Draupadi in the epic Mahabharat, Draupadi tied a rakhi on Krishna, while Kunti tied her rakhi on her grandson Abhimanyu, before the great war.
According to another legend, Yama, the god of Death, had not visited his sister Yamuna for 12 years. Yamuna was sad and consulted Ganga. Ganga reminded Yama of his sister, upon which Yama visits her. Yamuna was overjoyed to see her brother, and prepared a bounty of food for Yama. The god Yama was delighted, and asked Yamuna what she wanted for a gift. She wished that he, her brother should return and see her again soon. Yama was moved by his sister's love, agreed and to be able to see her again, and made river Yamuna immortal. This legend is the basis for a Raksha Bandhan-like festival called Bhai Duj in some parts of India, which also celebrates brother-sister love.
One of Tagore's poem invoking rakhi is:
The love in my body and heart for the earth's shadow and light has stayed over years.
With its cares and its hope it has thrown a language of its own into blue skies.
It lives in my joys and glooms in the spring night's buds and blooms like a Rakhi-band on the Future's hand.
It lives in my joys and glooms in the spring night's buds and blooms like a Rakhi-band on the Future's hand.
Happy Rakshabandhan,
Mahesh Bhatt
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